First, O’Connor found a true worldview, encapsulated in dogma, which constituted a lens that brings human nature and human significance into piercing clarity. “Dogma,” she said, “is an instrument for penetrating reality. . . . It is one of the functions of the Church to transmit the prophetic vision that is good for all time, and when the novelist has this as a part of his own vision, he has a powerful extension of sight.”
O’Connor understood that good writers do not simply parrot these insights; they must take this doctrinal understanding and apply it to the concrete realities of human life. “Your beliefs will be the light by which you see, but they will not be what you see and they will not be a substitute for seeing.”
When we do not understand this distinction, Christian fiction becomes mere religious propaganda. “The sorry religious novel comes about when the writer supposes that because of his belief, he is somehow dispensed from the obligation to penetrate concrete reality.” Doctrine is a light to see human experience by, not a formula to be dressed up in a fictional disguise. Link
Thursday, August 30, 2007
O’Connor: "Dogma is an Instrument"
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